• Home
  • About the Ninja Marmoset….
  • Ninja Theatre
  • My life in Radio
  • The Marmoset on TV
  • The Movie Marmoset
  • Script consultancy & other monkey business
  • Monkey Pictures
  • Contact

NinjaMarmoset

~ rants & reflections of Martin Jameson, writer, director & grizzled media gunslinger.

NinjaMarmoset

Monthly Archives: August 2019

First World Problems And My Pen Of Doom!

31 Saturday Aug 2019

Posted by Martin Jameson in Boris Johnson, Brexit, Civil War, Politics, Proroguing Parliament, Radio Drama, Satire, Writing

≈ Leave a comment

Tags

9/11, BBC, Civil Unrest, Politics

As visitors to this page will know, back in the heady, carefree days of 2017 I was commissioned by BBC Radio 4 to write a five-part drama imagining the UK plunging into a bloody civil war some time sort of now-ish.

FWP WIDE LARGE FONT

This was to be no sci-fi melodrama but a tale of a Radio 4-style (i.e. middle-class) family’s battle for survival in the face of social and infrastructure collapse, set against a thoroughly researched and war-gamed political backstory.

I called it First World Problems. See what I did there?

To that end, I assembled an array of in-house BBC expertise, academics and parliamentary advisers and researchers – top people who mostly approached the task as a sort of dystopian parlour game, albeit often with a fair degree of wry amusement.

I sat down with one senior political analyst in the airy canteen at BBC Millbank. Well, for starters, we decided it would help if there was someone in the background of my scenario with the civil service in their sights. This was for the BBC so my hypothetical crisis had to work with governments of every hue. On the left that might be a fictional fixer in the image of, say, a Seamus Milne, and on the right it could be someone like, oh, I don’t know… Dominic Cummings?

Screenshot 2019-08-31 at 11.06.31

We dared to imagine this man pulling the strings at Number Ten. Absurd!

How we laughed.

That was two years ago, and it seemed little more than a flight of darkly satirical fancy. When Cummings’s tenure was announced in July, my stomach turned.

Back in the canteen, my oracle postulated that with the civil service under attack, I’d now need an irreconcilable rift in the ruling superstructure to make my story credible. What if, following a chaotic Brexit, the infrastructure is cracking under the strain: Northern Ireland is subsumed into the Republic, Scotland bolts for the exit with an illegal IndyRef 2.0 resulting in a unilateral declaration of independence? There’s a scramble for control of the nukes at Faslane resulting in an armed and deadly conflagration. The border is closed, and Westminster goes nuts. MPs from all parties try to rein in the Executive, who in turn declares a state of emergency and prorogues Parliament, literally locking the MPs out of the building.

“I mean, I can’t really see it happening”, mused my adviser. Well, as Eric Morecambe might have said, “All the right notes, even if not necessarily in the right order”.

Screenshot 2019-08-31 at 10.52.12

Eric Morecambe takes a look at my projections back in 2017

There have been rumbles about prorogation all summer, but commentator after commentator insisted it would never happen. It was staying safely fictional, until Wednesday morning.

Please God any resemblance to real events stops right here!

However, within minutes there was speculation that it would turbo charge Nicola Sturgeon’s drive for a second referendum. As to whether that would ever be granted, who knows? If Westminster tried to block it, it doesn’t feel out of the ball park to imagine an enraged Scotland doing it anyway. And if they did? There’s a creeping sense with the departure of Ruth Davidson that perhaps Mr Johnson (or Mr Cummings??) doesn’t really care if Scotland cuts loose. It would make it easier for the Tories to hold a majority at Westminster if they did, but a whiplash fracturing of the Union would, as in my drama, be dangerously destabilising.

My excluded fictional MPs form a Democratic Alliance, which sits in an alternative chamber across the city (today suggested by more than one political player in the real world).

Screenshot 2019-08-31 at 15.20.53

An article in Friday’s Guardian

The country splits across the middle, with the big metropolitan authorities – the northern cities – siding with the rogue DA, while the south sticks with the Government. The Royal Family is forced to take sides. We all expect Elizabeth to stay neutral but who knows what Charles or William would do faced with future decisions, especially if the democratic mandate is unclear. This, in turn, begs the question of the military and the police. To whom are they now accountable? To whom are they loyal? What happens if they are split?

Other advisers warned of food and medicine shortages (now being prepared for), not to mention the fragility of the National Grid with multi-generator cascade failures (tick) as the fine balance of our energy infrastructure is disrupted.

Screenshot 2019-08-31 at 14.45.24

When the power went, people ‘self evacuated’ and walked along the tracks.

Never mind lightning strikes, imagine if Scotland stopped exporting its power across the border to England. In my dystopian Tomorrow, they who control the National Grid Control Centre at Wokingham don’t just control our ability to keep the lights on, they control the internet, the mobile phone network, our ability to get petrol out of the pumps at filling stations, and the BACS system so integral to our cashless world. They control the country.

Far fetched? Ridiculous? Hysterical?

That’s what I thought in 2017, and just look at how much of that has either come true or is creeping nearer to the front of the queue ready to be ticked off the list. Even worse, look at how much we have normalised these things, how quickly we ‘get used’ to them. That, for me, is the most dangerous part of this. Only yesterday I was conversing with one of my former advisers who seemed content that apathy and inertia would stop any major civil unrest happening as if he hadn’t noticed that we are already careering down the slide with no idea what’s at the bottom. Like the old joke about how an optimist  is a person who falls out of a twenty storey window only to shout to an office worker on the tenth floor, ‘All right so far!’.

Just before I penned my radio epic I had delivered a first draft of a police procedural about a series of murders of gay men initially mistaken for terrorism but which ultimately turn out to be the work of a closeted muslim guy unable to resolve deep personal inner turmoil. I delivered it to my producer the day before the Orlando Club shootings about which there has been much similar (but as yet unproven) speculation. The BBC’s Editorial Policy team decreed I would have to rewrite the whole thing even though my script pre-dated reality. Last year I wrote another procedural about the murder of a man, thrown from the window of a Manchester Hotel. Pretty much exactly that happened almost exactly two months after I delivered the script. Although my hotel was absolutely fictional, the imaginative starting point had been the same building.

Screenshot 2019-08-31 at 14.50.24

The police forensic tent outside Manchester’s Britannia Hotel in September 2018

Of course, these are simply unsettling coincidences.

Or are they?

Screenshot 2019-08-31 at 16.04.52.png

The chicken or the egg?

When First World Problems finally aired in 2018 I was accused by organised Twitter trolls of trying to ferment unrest, but whilst the causal accusation is ridiculous, as with all dystopian fiction, if you can construct a possible narrative from your imagination, no matter how seemingly implausible, then that narrative can become reality. A few years back Prof Brian Cox and Jeff Forshaw wrote a book about quantum physics called, ‘Everything That Can Happen Will Happen’, but in the realm of human behaviour I’m increasingly inclined to think this is true, quantum or no quantum. If a person, or a group of people, can behave in a certain way, no matter how idiotic, then sooner or later someone will. Just ask anyone who has ever had to design a safety system.

Screenshot 2019-08-31 at 15.07.47

When I first saw this I thought it was a spoof…  It wasn’t. Although I have to admit a certain pride at being considered worthy of the BBC Death Cult Team.

A month after 9/11, two dozen Hollywood screenwriters were reputedly called in to the Pentagon hypothesise about ingenious and dastardly ways hostile agents could cause death and destruction across the US. I’m having difficulty verifying this, but if they weren’t, then perhaps they should have been. The dystopian and nihilistic imagination isn’t just the preserve of storytellers.

If we can imagine something bad coming, it’s worth taking our imaginations seriously – that’s what imagination is for after all – and then, hopefully, we can head our nightmares off at the pass before they become reality.

Having said that, my wife wants me to use my Pen Of Doom to write a drama about how the Amazon Rainforest is saved, or even better, some dialogue featuring a few winning lottery numbers.

And what about my fictional middle class Radio 4 family? Well you can still hear what happens to them here…

Suffice it to say when they flee the city to hide out in the now intensely nationalist North Wales, it doesn’t end well. They’re English after all.

Ethnic cleansing, anyone?

Screenshot 2019-08-31 at 15.43.26

Syrian migrants crossing Hungary in 2015.

This image was the spark for First World Problems. Although not ethnic cleansing per se, I wanted to examine how my comfortable, white, English, Radio 4 loving family could end up in exactly this situation in our own green and pleasant land.

I’m still praying that my dystopian hypothetical stays precisely that.

Share this:

  • Twitter
  • Facebook

Like this:

Like Loading...

When Is A Penis Not A Penis?

06 Tuesday Aug 2019

Posted by Martin Jameson in Film, Film Criticism, Media, Pornography, Satire, Sexual Politics

≈ Leave a comment

Tags

Art, Eroticism, European Cinema, Isabella Eklöf, Victoria Carmen Sonne

I blame the vaccinations.

I’m 59 and a few weeks shy of a trip to Madagascar to see the lemurs (before the whole island is logged to destruction) the practice nurse advised me not only to renew my typhoid immunity but to have an MMR booster.

Screenshot 2019-08-06 at 14.44.51

The Marmoset is looking forward to meeting one of his cute Lemur cousins in Madagascar

Cue eighteen hours of slightly trippy wooziness not to mention two extremely sore upper arms. So that was any creative work out of the window. Unable to sleep – because every time I rolled over the pain woke me up – I rolled, instead, down to the tram and headed into Central Manchester to wooze in front of a movie at the city’s premier arthouse cinema, Home.

What to see in the dog days of August? I’m not sure if it’s me, or the exodus of creative talent from traditional movie making to long form TV drama, but I often struggle to find films that really attract me these days. Summer is particularly barren… there aren’t even any blockbusters I want to see. Squinting at the programme on offer I opt for Danish indie movie, Holiday – written and directed by Isabella Eklöf whose screenplay for the dark-as-dark-can-be realist Troll drama, Border, so haunted me last year. I’ve vaguely skim read a couple of reviews of Holiday (i.e. looked at the star ratings) and seem to remember that critics have quite liked it. So in I go.

Screenshot 2019-08-06 at 14.48.02.png

Great poster for ‘Holiday’ starring Victoria Carmen Sonne

Ok. I need to be up front about this. I didn’t make it to the end so I am not offering any kind of considered critique of the movie itself. No one can do that without watching the whole of something. To do so would be dishonest and wrong.

I blame the vaccinations. Or The Penis. Or perhaps a heady (!) combination of both.

spoiler_t-2

Spoilers ahoy – stop here and come back after you’ve seen the movie if you’re intending to take the plunge!

What follows below is a bit spoilery but not too much as it’s hardly a movie that depends on plot surprises. I sensed that most of the other people in the cinema knew what was coming (so to speak). Basically it’s the story of Sascha (Victoria Carmen Sonne), who (in film terms) is a sort of gangster’s moll (yes, the movie – and I – would eschew such dated and sexist terminology, but in critical terms that’s the genre/movie iconography we’re dealing with here). She’s on ‘holiday’ in Bodrum, Turkey, with her drug gangster boyfriend, Michael who is a violent, jealous misogynist.

Screenshot 2019-08-06 at 12.42.01

Lai Yde as Michael giving his best violent misogynist on a white sofa performance

For the 70 minutes or so I watched, Sascha is navigating his controlling, simmering violent possessiveness. He owns her. He owns everyone. But especially her – and she is his to use and abuse (graphically) as he chooses. The question those first seventy minutes poses is how much is she prepared tolerate? Is his assumed ownership of her somehow to her advantage? Is she helpless or is she complicit? Will she exploit it at some point?  Will she fight back?

Screenshot 2019-08-06 at 12.51.50

We get the point about Michael pretty quickly

As the holiday progresses she meets a friendly Dutch guy, Thomas, in an ice cream parlour and strikes up a more tender, if flirtatious (on both sides) relationship with him. Michael spots the connection between them and you know it’s not going to end well (although who knows, perhaps they all make up in the final reel and start a socialist commune in Aarhus. Like I say, I didn’t make it to the end.).

Screenshot 2019-08-06 at 12.51.03

Thijs Römer as friendly Thomas the nice Dutch chap

The whole thing is photographed at an unsettling and icy distance. The Turkish sunlight is bright and glaring – but never warm. We are never allowed to engage with Sascha – but we are invited to look at her, almost askance, to scrutinise her behaviour, and to judge her.

Then there’s… The Scene.

I should have read the reviews more closely.

Screenshot 2019-08-06 at 12.52.15

Kicking a lackey downstairs turns most movie drug lords a bit rapey

About fifty minutes in Michael has just beaten up one of his lackeys for messing up some drug deal or other, and he’s tense and angry, and so naturally he can only let off steam by vaginally, and orally raping Sascha and then ejaculating in her face.

Lawks a-mercy!

It’s played out in real time, in a continuous wide shot, in all its full frontal priapic and jizz-spurting glory.

Eugh. I’m literally hiding behind my iPad, thanking my lucky stars this isn’t a 4DX screening where they shake you around in your seat and spray your face with droplets!

I’ve seen some explicit movies in my time but this is just HORRIBLE.

Which I guess is the point. Although then I’m thinking… WHAT point exactly? My mind is racing.

I already know that rape is a terrible, terrifying, violent act. Do I need to see it? Does this actress really have to simulate abuse in this way to evoke this disgust in me? Hang on…. Is she simulating it? That purple greasy bell-end – moistened by Michael’s spit – looks pretty real to me – as does the glob of cum hitting her directly in the eye. (NB I am using this explicit language deliberately in order to express the graphic quality of the movie itself). So… what? Is the actress this guy’s partner in real life? What was the audition like? Even if she has consented to this, isn’t it still, effectively, abuse?

For sure, when the BBFC certificate came up at the beginning it did say ‘scenes of graphic sexual violence’ but I didn’t expect it to be this graphic. I look around and suddenly notice that the rest of the cinema is almost exclusively male. Men on their own. There are just two women in the screening. Did these guys know something I didn’t? Are they getting off on it? This is a foreign language ‘art’ movie, but what we’re seeing is the commonplace of a lot of pornography. A woman being horribly raped and the man firing off semen in her face. It is often said that the distinction between pornography and art is context, but any sense of context has completely gone now. Maybe I’m over thinking it – but my brain is now unable to watch or absorb the film as I try to decode what I’ve seen. But hey – ! – if I didn’t stop to think about it – if I didn’t worry about not just the story but the execution of the act for our entertainment – surely that would make me some kind of psychopath.

Well…

I hang on for another fifteen or twenty minutes… until the sexual violence starts up again and then I’ve had enough.

IMG_4204

This scene may well have ended with an innocent game of Twister but I’m afraid I didn’t stay to find out.

I’m hopeful that this film, written and directed by a woman, has some intelligent point to make, and all will make sense eventually, but in my newly vaccinated state I can’t help but think that there is no point to be made (of which I wasn’t already aware) that would make this onscreen sexual brutality worthwhile. But then I think, I’m staying with this purely because it’s by a woman director – a Danish woman director – and therefore it must somehow be inherently ok – it’s ART for God’s sake! – but if this exact same story with these exact same shots came from the camera of, say, Michael Bay, I doubt very much that Home would be screening it.

I’m off – as are another two audience members (including 50% of the female contingent).

On my woozy way home I turn my iPad back on (it has other uses than purely as a cinematic jizz shield). Checking out a few interviews with director Eklöf she is keen to defend the scene by saying that it’s not pornography because there are no close-ups. Seriously? Never come across the idea of voyeurism as a form of pornographic titillation, Isabella? There’s more than one kind of porn. I think to avoid the porn tag you really REALLY have to be doing something far more clearly not focussed on the visual representation of the explicit sexual act. I wonder also if she is assuming that what she is showing is so horrible that by definition it can’t be considered pornography. If only. Pornography is in the eye of the beholder. So to speak.

The other thing I learn is that it was a prosthetic penis after all.

I would say that I found that hard to get my head around – but I won’t as it sounds like a truly terrible and somewhat confused double entendre.

Ok, so it’s a fake cock. Does that make it better? It looked so real to me I assumed it was as real as the penises in Baise-Moi or Stranger By The Lake (which were the genuine article, complete with steaming ball-fresh semen). So if I am fooled by the member’s seeming verité then surely I HAVE to worry about use of a degrading sexual act not just as a narrative device but as something done to an actress on a movie set for a piece of paid entertainment. On the other hand, if I know in advance that it’s a rubber prosthetic, then it’s fundamentally trivial. It’s only pretend and it’s all about the artifice, and I’m no longer really concerned about the character. I’m just wondering how they got the jizz to fly out so convincingly, and ‘wow that still must have hurt when he stuck it down her throat’. Imagine having to fill out the risk assessment on that!

It now does precisely what devalued screen violence does. Whilst you might be alarmed by watching someone getting punched or slashed in a movie, you know it’s all fake so it’s rarely affecting. Unless of course you are either a) gullible or b) excited by the simulation of violence for the sake of entertainment. Indeed, I have (purposefully) adopted a fairly flip tone in this blog as to some of the things depicted in Holiday – serious issues of course – but I can, because now I know it didn’t really happen. It was just rubber and maybe a bit of CGI. The artifice invites me to stand my seriousness down.

Like I say, I am offering no judgement as to Holiday as a movie – I didn’t see how it resolved which I sincerely hope was in a worthy/intriguing/challenging way – all I can comment on is the stuff I saw, but I know I wasn’t alone in being driven from the cinema… and if that happens then surely the movie has failed.
Who is it for?
Does Eklöf want me to stay or to leave?
And if I do either of those, what does it say about me?
Assuming I do hang around, what is it trying to say and to whom?
Most fundamentally of all, does that thing need saying, does it need saying in that way, and if so, why?

There are also wider questions about art and cinema here. Do we need the dangerous moments in cinema to be obviously fake – or does this reveal something problematic with the self importance of film drama – a fundamental flaw/confusion in its aspirations to realism? If something looks real should we assume it isn’t – is that a healthy assumption or just an abdication of responsibility? If we do know it’s fake – or discover the fakery after the event – does that make it any less problematic?

For God’s sake, when is a penis not a penis?!?!

I stagger home, and crash out, hoping to sleep off the worst of my vaccination, comforted by the thought that in a few weeks I’ll be in Madagascar and I won’t have to worry about such questions…

Screenshot 2019-08-06 at 14.37.50

Sweet little Lemurs who know nothing of explicit Danish art cinema…

Share this:

  • Twitter
  • Facebook

Like this:

Like Loading...

Archives

  • February 2023
  • January 2023
  • December 2022
  • July 2022
  • April 2021
  • March 2021
  • November 2019
  • August 2019
  • June 2019
  • March 2019
  • August 2018
  • June 2018
  • March 2018
  • June 2017
  • May 2017
  • November 2016
  • August 2016
  • May 2016
  • April 2016
  • March 2016
  • December 2015
  • June 2015
  • April 2015
  • March 2015
  • January 2015
  • July 2014
  • May 2014
  • April 2014
  • March 2014

Recommended Links

  • Deadlines & Diamonds Excellent blog, mainly about the trials and tribulations of TV writing by my good friend and successful UK TV scribe, Lisa Holdsworth
  • FrozenWarning This blogger describes herself as an ‘evidence based fact ninja’ – so I like her already!
  • Sci-Fi Bulletin: Exploring the Universes of SF, Fantasy, Horror and Spy-fi! This is an excellent website, run and written by professionals, and features lots of reviews and think pieces by Yours Truly.
  • This Is My Think Spot My niece Kate Reader gave me a kick up the bum to start blogging. This is hers…

Blog at WordPress.com.

Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use.
To find out more, including how to control cookies, see here: Cookie Policy
  • Follow Following
    • NinjaMarmoset
    • Join 40 other followers
    • Already have a WordPress.com account? Log in now.
    • NinjaMarmoset
    • Customize
    • Follow Following
    • Sign up
    • Log in
    • Report this content
    • View site in Reader
    • Manage subscriptions
    • Collapse this bar
 

Loading Comments...
 

    %d bloggers like this: